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Popular French Music — songs. Have you wanted to listen to French music but never knew where to start? This huge list spans several genres and the music is sung by a myriad of artists. Every song is worth a listen.
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Music in Contemporary French Cinema pp Cite as. This chapter explores pre-existing songs as groundwork for the concept of the crystal-song. In the course of the last three chapters, I have frequently mentioned individual pieces of pre-existing music, whether classical or popular, that appear to function critically in the narrative. In this chapter I want to begin teasing out what that criticality is and how it functions.
The meanings that the cinema audience can infer from repeated pieces of music is immeasurably helped by those that have lyrics, as I discussed in the Introduction. Within the soundscape of a composed score, for the reasons discussed in the Introduction, a song—through its lyrics as much as other factors—is likely to affect most of the audience in more obvious ways than a composed score, or pre-existing classical pieces without lyrics. In the remainder of this book, I want to explore more thoroughly the crystal-song, the unusual pre-existing song that stands out from the rest of the score for whatever reasons.
A number of French writers have gestured towards what I understand by the crystal-song without fully articulating its function; I will set the scene by reviewing the work they have done in this area. My reason for doing this is first to ensure that work done in the French academic arena is recognised as a major part of thinking around film music, and second, to build on that work in ways that have not yet been done in Anglophone film music studies.